Salting The Battlefield (2014):
The Johnny Worricker Spy trilogy concludes with Salting the Battlefield, in which our hero with his ex girlfriend, Margot are criss-crossing Europe trying to stay one step ahead of the ... See full summary »
Director: David Hare
Writer: David Hare
Stars: Ralph Fiennes, Anna Böger, Shazad Latif
Director: David Hare
Writer: David Hare
Stars: Ralph Fiennes, Anna Böger, Shazad Latif
Movie Reviews:
'Salting
the Battelfield' is one of two new television films by playwright David
Hare, following up on an earlier film of his about a renegade British
spy; and having (mostly) praised the first, 'Turcs and Caicos', I now
feel obliged to criticise the second, even though the two are more
similar than different. The critiques are two: firstly, the story takes
place in a beautiful Britain full of beautiful people, I may like Helena
Bonham Carter as much as the next man, but she really doesn't make a
very convincing spy, and the elegiac music gives the whole piece a "sun
sets sadly on the glorious British Empire" feel at odds with the reality
of the nature of modern society and its contribution to the growth of
Islamic terrorism. This film is indeed supposedly about terrorism, and
the threat (or opportunity) that it offers to the state; but we never
get a glimpse of anything that might be a cause of it. Indeed, the
second criticism is that we rarely get a glimpse of anything, much; when
Bill Nighy's character has an argument with his daughter, it's nicely
scripted as far as it goes, but we know nothing to allow us to judge the
man, his words and his feelings; and its emblematic of an entire drama
where the cast talk around the issues but the audience is never
sufficiently well-briefed. Is the Prime Minister paranoid, a con-man, or
does he really believe he is doing the best for his country; the film
is good on the psychology here, but poorer on the political (to the
extent that the PM is doing his best, then the real, unanswered question
is, to what extent is he right?). The praise I had for Hare's earlier
film also holds true here (though to a slightly lesser extent): the
elliptical dialogue is a treat, even if it sometimes frustrates. But
what frustrates most is that Hare, who personally is a very political
man, seems unsure of what he wants to say here; and leaves us with a
portrait of the delicate moral dilemmas of the upper middle class that
seems as far away from the life most of us actually live as the Turcs
and Caicos islands themselves.
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